
Typing in 'Richard Westlake' and 'Richard Westlake Photography'
Portrait Photographer produced a portrait project on riders and had bikes in the exhibition
"I’ve written about the bmx perspective before, and I realize that it is not only unique to those on 20″ (24, 26) wheels. Skateboarding, mountain-biking, and other, more “traditional” outdoor activities (hiking, rock-climbing), also come from the idea of taking your environment and finding a way to adapt it to your activity.
What’s interesting about bmx and skateboarding is that so often, we’re looking at man-made objects to adapt in our quest for the perfect spot, be it a 3 foot bank to wall, or an abandoned building with an olympic-size pool - more on that one for another time… So often, the exploration is as good as the session. It was true when I was 16, and could throw my bike in my truck to venture to far-away spots, and it is still true today, when I see footage or photos of unique set-ups or abandoned junkyards full of vintage autos. Not always bicycle-related, but still conjure the same feelings of finding or creating something unexpected.
And that’s what I’m getting at - I think that so many of us who were (are) riders have that exploration built-into us, and it continues to permeate what we do. Be it as literal as my friend Scott, who shoots photos of his own “urban exploration” to beautiful results, or my friend Kevin, searching for the next perfect part for the hot-rod he’s building, or Phil and I talking about crazy boat trips up the Missouri or Kaw rivers. For me, it all revolves around some kind of creative outlet; building, photography, bikes, art, collecting, etc., and I know I’m not unique in this.
Funny that little bikes can open so many opportunities and perspectives for a lifetime."
I found this write up here
I have always enjoyed looking at the work of Lorca DiCorcia, I think it's the way which he uses light and the people he uses as models which I find entertaining. I took interest in this photographer when I was told that when he granted money from the Guggenheim foundation to take images he used it to pay prostitutes and drug users to pose for him and then titled the images by the amount he paid them for the image. I find this facinating.
David Ellison is only 3 years older than me and was featured in the Autumn 2009 edition of the seesaw online magazine. What I like about his imagery is the simplicity of the images and, similar to the images in the taylor wessing exhibition, hold very powerful emotions. The models tend not to be looking at the lens and with their body either perpendicular or at 45 degrees to the camera. The models are all workers so are shot in their work wear such as a butcher and a coal miner with black stained skin. Another interesting thing he has done is have the image of head of shoulders positioned alongside their function as a worked, for example the butcher is pictured alongside his wellies. The Coal miner is pictured alongside his hands holding coal.
I find this piece of work a very interesting display of portraiture and a nice and similar approach to what I want from this project.